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Paingod: And Other Delusions, by Harlan Ellison
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Featuring the Nebula and Hugo Award–winning story “ ‘Repent, Harlequin!’ Said the Ticktockman.”
Robert Heinlein says, “This book is raw corn liquor—you should serve a whiskbroom with each shot so the customer can brush the sawdust off after he gets up from the floor.” Perhaps a mooring cable might also be added as necessary equipment for reading these eight wonderful stories. They not only knock you down . . . they raise you to the stars. Passion is the keynote as you encounter the Harlequin and his nemesis, the dreaded Tictockman, in one of the most reprinted and widely taught stories in the English language; a pyretic who creates fire merely by willing it; the last surgeon in a world of robot physicians; a spaceship filled with hideous mutants rejected by the world that gave them birth. Touching, gentle, and shocking stories from an incomparable master of impossible dreams and troubling truths.
- Sales Rank: #320232 in Books
- Published on: 2014-06-24
- Released on: 2014-06-24
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .43" w x 5.25" l, .0 pounds
- Binding: Paperback
- 190 pages
About the Author
Harlan Ellison has been called “one of the great living American short story writers” by the Washington Post. In a career spanning more than fifty years, he has won more awards than any other living fantasist. Ellison has written or edited one hundred fourteen books; more than seventeen hundred stories, essays, articles, and newspaper columns; two dozen teleplays; and a dozen motion pictures. He has won the Hugo Award eight and a half times (shared once); the Nebula Award three times; the Bram Stoker Award, presented by the Horror Writers Association, five times (including the Lifetime Achievement Award in 1996); the Edgar Award of the Mystery Writers of America twice; the Georges Melies Fantasy Film Award twice; and two Audie Awards (for the best in audio recordings); and he was awarded the Silver Pen for Journalism by PEN, the international writers’ union. He was presented with the first Living Legend Award by the International Horror Critics at the 1995 World Horror Convention. Ellison is the only author in Hollywood ever to win the Writers Guild of America award for Outstanding Teleplay (solo work) four times, most recently for “Paladin of the Lost Hour,” his Twilight Zone episode that was Danny Kaye’s final role, in 1987. In 2006, Ellison was awarded the prestigious title of Grand Master by the Science Fiction and Fantasy Writers of America. Dreams With Sharp Teeth, the documentary chronicling his life and works, was released on DVD in May 2009.
Most helpful customer reviews
11 of 13 people found the following review helpful.
The beginning of the Ellison we've come to know
By L. Stearns Newburg
Ellison broke into print back in 1956, and in the ten years that followed, he wrote an extraordinary number of short stories. Yet prolific as he was from the beginning, he didn't start to hit the level of quality we associate with his mature work until the late '50s. Even then, a number of his stories in speculative fiction would contain scenes, images, and ideas that no one else could handle in those days, only to be marred somewhat by immaturity. This shows up in a lot of the pulp-sf appurtenances that he loaded the earlier stories with in this book. Stories like "The Discarded" and to a lesser extent, "Deeper Than the Darkness" touch places in the psyche that evoke genuine pain--then jar us with risible notions of mutants and somewhat puerile descriptions intended to horrify and shock.
Later stories in this book, such as "Bright Eyes" (1964) and "Repent, Harlequin!..." (1965) are more accomplished and controlled in this regard. I can still read them with considerable pleasure. "Deeper Than the Darkness" has a lot that can be said for it, too, but one must look past some of the pulp-sf crudities that I alluded to above.
The title story, "Paingod," is an interesting attempt that I don't think comes off entirely. A pretty good read, nevertheless.
So you get the picture: the book is a mixed bag, but an interesting one. The stories are often moving, because Ellison felt strongly about the issues embodied, and communicated it effectively. And the book is historically interesting, because it points the way to his later fiction.
Is the book up to the level of quality to be found in his later books, such as _Shatterday_ or _Angry Candy_? No, but that doesn't make it bad. If memory serves, Ellison was 31 when _Paingod_ appeared. The late Theodore Sturgeon wrote an appreciative review at the time where he recognized Ellison's promise on the basis of this book. Neither Sturgeon's probity nor his perspicacity are in doubt because of it. :-)
All in all, the book is worth reading if you're an aficionado of speculative fiction. Ten years ago, I might have said that some of these stories had become dated in a bad way. The cycle of world events seems to have swung back around, and the stories seem (to use a very '60s word) _relevant_ again. :-]
4 of 4 people found the following review helpful.
A selection of great SF tales
By John Peter O'connor
The stories in this collection were originally published in magazines between 1956 and 1965. Unlike much SF of that era, they have not lost their edge.
In part, this is down to Ellison's literary style which was head and shoulders above the majority of SF at that time. Thus today, when editors demand better writing, these stories can still satisfy. The other reason is that Ellison has an uncanny vision of the future which does not easily get outdated by the events of a few decades.
The stories contain lots of new ideas and the author uses the flexibility of the SF format to good effect.
This highlight must of course be "Repent, Harlequin!" said the Ticktockman which tells of a world rigidly controlled with everyone forced to conduct their affairs to maximise the efficiency of society. I think that this is one of the finest SF shorts ever written and it is certainly the best known of all the stories here.
Having praised that story, I should say that, with the exception of the final tale, "Deeper than the Darkness", I really liked everything here. They range from the sorrowful "Bright Eyes" to the wryly funny story "The Crackpots".
6 of 7 people found the following review helpful.
It can truly be said that Ellison is a writer like no other!
By Penguin Egg
Ellison, for the most part, has been out of print for the past twenty years, and that, in my opinion, is a bad thing. A very bad thing! During the 60s and 70s, he was not only the best writer of the New Wave of science-fiction, he was also the most original short story writer around. It can be said that he wrote like no one else. His style is vigorous, compelling and lucid. No one else can hold a candle to him. A prolific writer, he wrote something like 700 stories, starting from the 50s and continuing through to the early 80s. The stories in this collection are from the 60s, and what a wonderful collection it is too.
'"Repent, Harlequin" said the Tick Tock Man' is a story every bit as good as it's title - and I think that the title is a real peach. In about 3000 words he describes a dystopia where society is ruthlessly regimented by the clock. If you are five minutes late for an appointment, you lose five minutes off your life. The Tick Tock Man (or the Master Timekeeper, to call him by his official title) rules with a ruthless efficiency, and relentlessly tracks down the Harlequin, the ultimate non-conformist who refuses to be on time and who ingeniously disrupts the smooth running of this soulless society. If you have read 1984, you will know what happens- but there is a lovely twist at the end, which I won't spoil by giving away. The story may sound daft but it works and works beautifully. His imagination is unique. His aim is true. In Paingod, another classic, he tries to explain why there is so much pain in the world and why it is so necessary. There are other glories here: 'The Discarded', 'The Crackpots' and 'Deeper Than Darkness.' All worth your perusal. Each story is preceded by a short introduction that is as readable, entertaining and lively as the stories.
Ellison is a wonderful writer who doesn't deserve the neglect that has befallen him. Buy this book and maybe -yes, just maybe! - it will encourage some enterprising publisher to reprint such essential collections as Strange Wine, Deathbird Stories, Alone Against Tomorrow, and Approaching Oblivion. Why Ellison isn't one of the most popular men of American letters utterly baffles me. He is as good as the best and better than most.
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