Selasa, 27 Juli 2010

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Wild Fermentation: The Flavor, Nutrition, and Craft of Live-Culture Foods, by Sandor Ellix Katz

Bread. Cheese. Wine. Beer. Coffee. Chocolate. Most people consume fermented foods and drinks every day. For thousands of years, humans have enjoyed the distinctive flavors and nutrition resulting from the transformative power of microscopic bacteria and fungi. Wild Fermentation: The Flavor, Nutrition, and Craft of Live-Culture Foods is the first cookbook to widely explore the culinary magic of fermentation.

"Fermentation has been an important journey of discovery for me," writes author Sandor Ellix Katz. "I invite you to join me along this effervescent path, well trodden for thousands of years yet largely forgotten in our time and place, bypassed by the superhighway of industrial food production."

The flavors of fermentation are compelling and complex, quite literally alive. This book takes readers on a whirlwind trip through the wide world of fermentation, providing readers with basic and delicious recipes-some familiar, others exotic-that are easy to make at home.

The book covers vegetable ferments such as sauerkraut, kimchi, and sour pickles; bean ferments including miso, tempeh, dosas, and idli; dairy ferments including yogurt, kefir, and basic cheesemaking (as well as vegan alternatives); sourdough bread-making; other grain fermentations from Cherokee, African, Japanese, and Russian traditions; extremely simple wine- and beer-making (as well as cider-, mead-, and champagne-making) techniques; and vinegar-making. With nearly 100 recipes, this is the most comprehensive and wide-ranging fermentation cookbook ever published.

  • Sales Rank: #17800 in Books
  • Brand: Chelsea Green Pub Co
  • Published on: 2003-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .50" w x 7.00" l, .85 pounds
  • Binding: Paperback
  • 187 pages
Features
  • Used Book in Good Condition

From Booklist
Fermentation is one of the earliest natural processes involving food and its preservation that humans sought to control. The earliest puffed-up breads, wines, and cheeses likely occurred by chance, and results were scarcely uniform or predictable. Disconcerted by off-flavors and spoilage in beer, wine, and baked goods, early peoples learned to control microorganisms whose existence would not be demonstrated for centuries. But in that process of control, people lost some of the benefits of wild fermentation. Sandor Ellix Katz has experimented with Wild Fermentation, and his book explains to others how to take advantage of natural fermentation processes to produce bread, yogurt, cheese, beer, wine, miso, sauerkraut, kimchi, and other fermented foods. A gold mine for science-fair projects, Katz's work presents properly supervised young people ample opportunity to explore both the science and the art of fermented foods (alcoholic beverages excepted). Mark Knoblauch
Copyright © American Library Association. All rights reserved

Review

Booklist-

Fermentation is one of the earliest natural processes involving food and its preservation that humans sought to control. The earliest puffed-up breads, wines, and cheeses likely occurred by chance, and results were scarcely uniform or predictable. Disconcerted by off-flavors and spoilage in beer, wine, and baked goods, early peoples learned to control microorganisms whose existence would not be demonstrated for centuries. But in that process of control, people lost some of the benefits of wild fermentation. Sandor Ellix Katz has experimented with Wild Fermentation, and his book explains to others how to take advantage of natural fermentation processes to produce bread, yogurt, cheese, beer, wine, miso, sauerkraut, kimchi, and other fermented foods. A gold mine for science-fair projects, Katz's work presents properly supervised young people ample opportunity to explore both the science and the art of fermented foods (alcoholic beverages excepted).

(Mark Knoblauch)

"This immensely valuable book belongs in the kitchen of anyone interested in health, nutrition and wild cultures. It is a feast of fact, fun, and creativity by a modern wise wo-MAN."--Susun Weed, author of Healing Wise



"A nostalgic journey... this is a book that will fascinate and inspire food lovers."--Saul Zabar, owner of Zabar's, New York City's Most famous food market



"Sandor Katz has labored mightily to deliver this opus magnum to a population hungry for a reconnection to real food."--Sally Fallon, author of Nourishing Traditions

From the Author

"I have been fermenting foods and drinks for a decade. It started with sauerkraut. I found an old crock buried in our barn, harvested cabbage from our garden, chopped it up, salted it, and waited. That first kraut tasted so alive and powerfully nutritious! Its sharp flavor sent my salivary glands into a frenzy and got me hooked on fermentation. I have made sauerkraut ever since, earning the nickname Sandorkraut, even as my repertoire has expanded. I have explored and experimented widely in the realm of fermentation, and I want to share what I have learned."--Sandor Ellix Katz

Most helpful customer reviews

1 of 1 people found the following review helpful.
Too much filler
By Justin England
It was an okay book. If you're into fermentation at all then you're probably going to have seen most of the recipes already. Out of all the fermentation books I have this is probably the only one I wouldn't recommend having though honestly. Just not enough good recipes, and way too much extra sideline stuff. I bought this thinking it was more of a fermentation cookbook sort of deal, but that's really not what it is. It's pretty much just a collection of whatever the author felt like writing, circling it back around to fermentation in a roundabout way. Example, at one point the author gives a recipe, then goes on about how the recipe was given to them by a transgender and then going on a rant about gender identity. Half a page for a recipe, then a page and half of leftist pummeling. Keep in mind, I am a supporter of the LBGT community, but at the same time I don't buy a recipe book to get pummeled with propaganda. If you're looking for a light evening read, it's a good book, but if you're looking for a real fermentation cookbook with more of a professional scientific style to it, look somewhere else.

25 of 25 people found the following review helpful.
Takes us back to a better place............
By woodsie8
I was needing to spend time in a waiting room at a hospital and took this with me, to pass the time. I actually started to read it, instead of thumbing through it. I really got what he was saying about how much we can benefit from preserving with fermentation, as in way back when before we had frig's, etc. I also was impressed with the fact that this is a healthy addition to our diets. I really do want to get back to basics and away from so much premade foods. You won't be disappointed. Also, the reviews that are complaining about his homo agenda.......... That is flat out, not the truth. These obviously are homophobic, rigid people that wrote the reviews. They obviously use any avenue to attack gays and this was just another way, trying to get people to not buy his book. He speaks of his Aids and the community he lives in but does not make that the focus, by no means. There was nothing inappropriate in this book. Many people speak of their health in food related books and the benefits of certain diets of foods. Enjoy. You won't be disappointed.

0 of 0 people found the following review helpful.
Great for anyone just starting out or wanting to go all-in, with ferments.
By Carly P
Good basic knowledge of fermentation using the wild yeasts (i.e. Not adding whey or starter culture to most ferments) and Sandor's storytelling is very entertaining. There are some recipes that are a tad complex for me but I look forward to trying many new things. If you are interested in this book, look for the Facebook group with the same name - lots of support and ideas!

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Kamis, 22 Juli 2010

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Rommel as Military Commander, by Ronald Lewin

History. In the final assault on the position of 150 Brigade in the Cauldron, Rommel went in with the foremost platoon. He defied the text-books and inspired the Afrika Korps. By being up in front he was able to use his Fingerspitzengefuhl, that natural ability to read the battle field which all Great Commanders have possessed. The evocative and summary German word is constantly and rightly used by his colleagues whenever they talk about Rommel. Many Black and White photographs and map illustrations

  • Sales Rank: #1947097 in Books
  • Published on: 1999-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.26" h x 9.29" w x 6.38" l,
  • Binding: Hardcover
  • 256 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great historical and personality analyses.
By perry
Superb book by a first class author.

1 of 3 people found the following review helpful.
Rommel
By Ann L. Ogle
Rommel was definitely an outstanding leader who would have changed the world if he could have assumed power.

7 of 9 people found the following review helpful.
Objective Write up
By M. A. Ramos
This is a well written objective account of Rommel's ability as a commander and his tactics. The book starts with a short overview of Rommel's actions in World War I. Then takes us to his command of 7 Panzer in France and going right through the creation and command of the Africa Korps and the desert campaign. And continuing with his command at Normandy in 1944. Lewin uses as his notes the Rommel Papers edited by Liddel Hart to help make his case.

The book shows us the sterling victories and defeats and what surrounded them. He does not seem to hide any facts from the reader. And gives us a truly balanced perspective of what really transpired. I was pleased to see that this first class analysis of Rommel's command abilities was presented with such honesty.

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Rabu, 21 Juli 2010

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Faithful Place, by Tana French

The "expertly rendered, gripping new novel" (Janet Maslin, The New York Times) from the bestselling author of In the Woods and The Likeness.

Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping hisi family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his alcoholic father, nutcase mother, and generally dysfunctional family. He never went home again. Neither did Rosie. Then, twenty-two years later, Rosie's suitcase shows up behind a fireplace in a derelict house on Faithful Place, and Frank, now a detective in the Sublin Undercover squad, is going home whether he likes it or not. 

Getting sucked in is a lot easier than getting out again. Frank finds himself straight back in the dark tangle of relationships he left behind. The cops working the case want him out of the way, in case loyalty to his family and community makes him a liability. Faithful Place wants him out because he's a detective now, and the Place has never liked cops. Frank just wants to find out what happened to Rosie Daly-and he's willing to do whatever it takes, to himself or anyone else, to get the job done.


Look out for Tana French's newest novel, The Trespasser, which will be published by Viking in October of 2016.

  • Sales Rank: #20495 in Books
  • Brand: PENGUIN GROUP (USA)
  • Published on: 2011-06-28
  • Released on: 2011-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .90" w x 5.50" l, .77 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Great product!

Amazon.com Review

Stef Penney, author of The Invisible Ones, interviews Tana French

Stef Penney: You have created a tapestry of interlocking characters who all work in law enforcement in Dublin, and so far you’ve turned the spotlight on three different police officers. . . Do you have a favorite? Have you found some harder to inhabit than others?

Tana French: Frank Mackey in Faithful Place was by far the most fun to write because he’s got that dark, abrasive Dublin sense of humor that surfaces even--or especially--at life’s worst moments. The hardest to get into was Scorcher Kennedy, in my new book, Broken Harbour--I’ve just finished the edits. I think it’s to do with the gap between the way Frank saw him in Faithful Place, where he was a supporting character, and the way he sees himself. Frank sees a rule-bound, up-himself, irritating git; but from Scorcher’s point of view, he’s a man struggling desperately to do the right thing in a world where you have to trust in the rules because your own mind is too fragile and slippery to trust. There’s a huge gap between the two perspectives, and it wasn’t easy to switch. That perspective shift is one of the things I enjoy most about writing a series of books, where a secondary character in one book becomes the narrator in the next--it lets me explore the way truth can be mutable and subjective, shaped by people’s own needs as much as by objective reality--but it’s also the toughest part of it.

Penney: You’re known for writing about Dublin. Can you see yourself going anywhere else as the setting for a book?

French: I’ll be sticking with Dublin--for the foreseeable future, anyway. It’s the only city where I know all the little details--the sense of humor, the connotations of the accents, where to get a good pint and where not to go after dark. Setting a book in a place I didn’t know this intimately would feel very dislocated. I think crime is very deeply rooted in its setting--it happens everywhere but the form it takes is shaped by the fears and desires of the society where it happens--and so crime novels are rooted in setting, too. Both In the Woods and The Likeness deal with the relationship between past and present--how to balance the two without destroying either--and that’s a question that Ireland’s been struggling (and often failing) to deal with over the past twenty years. It wasn’t a deliberate choice to make the books “relevant”; it’s just that since the issue was a central part of the world I lived in while I was coming up with the books, it soaked into them. If I set a book anywhere else, that connection wouldn’t be there. Plus, I love Dublin. I care about its fears and desires with a passion that I don’t feel for any other place. Faithful Place, especially, is a love song to Dublin, its bad side as well as its good. I can’t imagine writing about somewhere I don’t care about so strongly.

Penney: The Mackeys in Faithful Place are extraordinarily vivid, but it’s a terrifying, bleak portrait of family life. Does this relate to anything in your life? Or, if not, what made you interested in writing about such a family?

French: Thank God, my family’s nothing like the Mackeys! I had an unfashionably happy childhood. But I’ve always been most interested in writing about things I don’t know about. That’s at the heart of Faithful Place, in a lot of ways. It’s about a big family, and a viciously dysfunctional one, neither of which I’ve experienced. And it’s also about a family that’s very deeply rooted in Dublin, and specifically in the centuries-old community of Faithful Place. Those roots have shaped everything the Mackeys are. I’ve always been fascinated by that kind of rooted life because it’s something I’ll never have--my parents have a handful of nationalities between them, I grew up in several continents, I’m an international brat. . . Writing about something so far from my own life is the closest I’ll ever come to understanding it.

Penney: Down to nuts and bolts: How do you write? Are you very disciplined? I imagine you must be since you’re quite prolific!

French: Hah, I wish. I’m not one of nature’s disciplined types. Back in college, I had a reputation for going into the library only to convince other people to come out for coffee, and I haven’t changed that much. Every morning, I fight the urge to call my friends and see if I can persuade anyone to come out and play. These days, though, my disciplined side almost always wins. I work six days a week, about seven hours a day. What makes the difference is that I love what I do and I feel ridiculously lucky to be doing it. After years of acting, where you’re dependent on other people to decide whether you’re allowed to work or not, being able to work every day feels like a massive gift. That considerably lessens the urge to goof off.

Penney: Any TV or film adaptations in the works? Because there should be! If yes, how did you find the experience?

French: Paramount has optioned The Likeness and In the Woods, and I’ve just heard that Likeness is in development. I’m not totally clear on exactly what that means, but it sounds very cool but slightly intimidating. I’m dying to see what comes out at the other end, but I deliberately didn’t even try to ask for any role in the adaptation process because anything I know about writing fiction is probably worthless when it comes to writing film. They’re such utterly different genres that the book’s going to have to change in ways I can’t begin to picture.

Penney: I loved the mythic quality of the backstory in In the Woods--and the fact that in the end you refused to answer the question. Did you encounter any resistance from publishers over the ending?

French: No resistance from publishers. I was expecting it, because the ending does break genre convention--I was all ready to argue my case that this was the only ending with integrity and anything else would be forced and artificial, sacrificing character truth for cheap closure. But none of the editors ever suggested changing it. I do get e-mails from readers who hate the ending. Fair enough; the genre comes with expectation of closure and the book doesn’t provide it, and some people have real trouble with that. But I also get e-mails from readers who love the ending and who would have been furious if I’d sacrificed that integrity in order to stick to the rules. There was no way I could have written something that would make both types of readers happy. All I could do was write the best book I could and hope there were enough people out there who like the same kind of thing that I do.

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Senin, 19 Juli 2010

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Day Trading: Beginner's Guide to Building Riches Through the Stock Market, by James Carnegie

Make Money Today And Live the Life You Want! Take Control NOW! It really is a no brainer that we all want to have more cash flowing than usual. A lot of people are now looking for ways on how to increase their money figures to 6 digits, or even more! If you have exhausted all your efforts and didn’t get the expected results, you might want to consider day trading. Day trading as the name implies, is the buying and the selling of financial instruments within the same trading day, and it only happens in one day. It is extremely profitable and results in financial gain. This book provides an in depth discussion about the particulars of day trading. With the right amount of information, you’ll be on your way to reaching your money goals in a short amount of time! - Here’s What You’ll Learn From The Book: - Basic types of Options - How to read Options Tables and how to trade Options - Learn bout stocks - Find the best stocks to trade in - Techniques and strategies used in day trading

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  • Sales Rank: #821523 in Books
  • Published on: 2015-06-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .47" w x 6.00" l, .56 pounds
  • Binding: Paperback
  • 206 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
Informative.
By nadja
For a beginner's book, I think this has been comprehensive and detailed. In fact, any newbie on Day Trading will surely get more info here. If one wishes to make it good financially and without the stress and pressures of a normal 9-6 job, this book will be able to explain more how it can be done. I was able to understand Day Trading more too. Now I have an idea that endeavor is a quick and safe way to make money by trading stocks within a day’s exchange. Informative, this is what this book is.

1 of 1 people found the following review helpful.
money and investments
By K.B.
Well, it is given that when you invest your money into something it is guaranteed that you are also risking the money. That being said, I would recommend that you study first the investment type. This book teaches you the very basic or options trading. You will also learn how to trade options, learn the strategies, what you should do and shouldn't do, and it will introduce you to the jargons of day trading. I would say this is NOT a sophisticated book about day trading. It is simple, straightforward, it is also easy to understand. This book won't intimidate you with intricacies of day trading, save that when you already know what this is all about and you are ready to invest. The author kept it simple and informative. For beginners, this is a good book. So stay informed. Read. Study. Apply.

1 of 1 people found the following review helpful.
The Ultimate guide for every beginners!!!
By Heather Smith
The most comprehensive eBook about Day Trading I've ever come across with. It contains a brief introduction about the basics of option trading and the different types of stocks. You will also learn the do's and don'ts and the use of cheat sheets to making the right choices while investing. Discover the techniques and strategies that are used in Day trading and find out how you can apply it. I find this eBook very educational because everything you need to know is in this eBook. I believe this is the perfect tool you can use if you want to expand your knowledge about Day Trading. What I like about this eBook is that every details are properly discussed and the context are clear and easy to understand. Highly recommend for all beginners!!!

See all 101 customer reviews...

Day Trading: Beginner's Guide to Building Riches Through the Stock Market, by James Carnegie PDF
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Minggu, 18 Juli 2010

[H207.Ebook] Download Paper Princess: A Novel (The Royals Book 1), by Erin Watt

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Paper Princess: A Novel (The Royals Book 1), by Erin Watt

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Paper Princess: A Novel (The Royals Book 1), by Erin Watt

“This generation’s Cruel Intentions.” Jennifer L. Armentrout, #1 New York Times Bestselling Author

From strip clubs and truck stops to southern coast mansions and prep schools, one girl tries to stay true to herself.

These Royals will ruin you…

Ella Harper is a survivor—a pragmatic optimist. She’s spent her whole life moving from town to town with her flighty mother, struggling to make ends meet and believing that someday she’ll climb out of the gutter. After her mother’s death, Ella is truly alone. 

Until Callum Royal appears, plucking Ella out of poverty and tossing her into his posh mansion among his five sons who all hate her. Each Royal boy is more magnetic than the last, but none as captivating as Reed Royal, the boy who is determined to send her back to the slums she came from.

Reed doesn’t want her. He says she doesn’t belong with the Royals.

He might be right.

Wealth. Excess. Deception. It’s like nothing Ella has ever experienced, and if she’s going to survive her time in the Royal palace, she’ll need to learn to issue her own Royal decrees. 

QUESTIONS ABOUT THE BOOK

Q: Is this really a YA? 

We recommend this for young adult readers, age 17 and up. We think it’s a book that will appeal to older teens and those adults who are in touch with their inner teen, like us.

Q: Is there a cliffhanger? I’ve heard there’s an awful cliffhanger! Why’d you write a cliffhanger?

We promise that we didn’t set out to write a cliffhanger, but Paper Princess does end in one. The good news is that the next book is up for pre-sale and it will be released July 25, 2016. 

ABOUT THE AUTHOR

Erin Watt is the brainchild of two bestselling authors linked together through their love of great books and an addiction to writing. They share one creative imagination. Their greatest love (after their families and pets, of course)? Coming up with fun--and sometimes crazy--ideas. Their greatest fear? Breaking up. You can contact them at their shared inbox: authorerinwatt@gmail.com

MORE PRAISE:

"Intense, haunting & hot—I can't stop thinking about Paper Princess!! The intriguing sexy characters draw you in and don't let go. A true must read!"Emma Chase, New York Times bestselling author of the Tangled and Legal Briefs series 

“Wickedly clever writing, deliciously provocative characters, & chilling final pages made Paper Princess impossible to put down! Confidently a 2016 Top Read!”—ROCKSTARS OF ROMANCE

“Gritty, angsty, steamy, and rife with scandal and secrecy, Paper Princess is the kind of book you hope EVERY book will be when you open it. The kind you can't put down, can't forget about. This book consumed me and thanks to that crazy ending, I won't be moving on from this book for a good long while.” Jessica from Angie & Jessica’s Dreamy Reads

  • Sales Rank: #540 in eBooks
  • Published on: 2016-04-03
  • Released on: 2016-04-03
  • Format: Kindle eBook

Review
"What a heady, indulgent and ADDICTIVE read..." - Totally Booked Blog

"If you want a book that is all consuming and a soul sucking dementor (in the best way possible, of course) then is it!" - New Chicks on the Blog

"If you want a movie like experience that'll give you so much and leave you hankering for more, you've got to read this!!" -Suzanne, Tied Up In Romance

"This book had it all. Great writing, awesome characters, high school drama, sexual tension of the charts, angst all wrapped up into an addictive package." - Schmexy Girl Book Blog

"... a dynamic story that was full of hilarious moments, gut wrenching events, provocative moments and a deviously angsty story line." - Miranda, Red Cheek Reads

"This book was cracktastic and totally addicting." - Kimberlyfaye Reads

 "With plenty of twists and turns to keep you on your toes, it's an intoxicating read." - Angie, Angie and Jessica's Dreamy Reads

"...this is one book that will have you turning the page with fervour and relishing every second." - Kelly, Perusing Princesses

"If you're looking for a book with a deliciously cruel and interesting cast of character, look no further. This is for you." - Rowena, Book Binge

From the Author
QUESTIONS ABOUT THE BOOK 

Q: Is this really a YA?  

We recommend this for young adult readers, age 17 and up. We think it's a book that will appeal to older teens and those adults who are in touch with their inner teen, like us. 

Q: Is there a cliffhanger? I've heard there's an awful cliffhanger! Why'd you write a cliffhanger? 

We promise that we didn't set out to write a cliffhanger, but Paper Princess does end in one. The good news is that the next book is up for pre-sale and it will be released July 25, 2016.  

From the Back Cover
"This generation's Cruel Intentions." Jennifer L. Armentrout, #1 New York Times Bestselling Author

From strip clubs and truck stops to southern coast mansions and prep schools, one girl tries to stay true to herself.

These Royals will ruin you...

Ella Harper is a survivor--a pragmatic optimist. She's spent her whole life moving from town to town with her flighty mother, struggling to make ends meet and believing that someday she'll climb out of the gutter. After her mother's death, Ella is truly alone. 

Until Callum Royal appears, plucking Ella out of poverty and tossing her into his posh mansion among his five sons who all hate her. Each Royal boy is more magnetic than the last, but none as captivating as Reed Royal, the boy who is determined to send her back to the slums she came from.

Reed doesn't want her. He says she doesn't belong with the Royals.

He might be right.

Wealth. Excess. Deception. It's like nothing Ella has ever experienced, and if she's going to survive her time in the Royal palace, she'll need to learn to issue her own Royal decrees. 

Most helpful customer reviews

127 of 136 people found the following review helpful.
[NOT YOUNG ADULT] What could have been a great story, shot down by unlikable characters, dubious consent concerns, and worse.
By C. Hobbins
I need to say right up front: This book is marketed as "Young Adult", and it is anything BUT. The category is defined by the themes contained within the story. Just because your main characters are all about 17-year olds, that doesn't make you a YA book. YA and I are so close we're practically family. This book was like a stranger at the dinner table.

I actually interrupted another book to read this one, and I'm still not sure why. It's not even in my normal genre preference. I just remember reading the summary, seeing the cover, and thinking "I'd like to read that." Ella Harper was an interesting main character, full of spirit, and she led her story well. The writing was even pretty decent for the first 2/3rd of the book.

Call me old-fashioned, when we decide "attempted date rape" is the best catalyst for getting the two leads to hook up, the story stops being enjoyable. Now, the male lead, Reed Royal, did not actually attempt the date rape, but when Ella is drugged and the Royal brothers save her, how is the natural conclusion "Someone is gonna need to 'help' her with her drug-induced horniness." Sorry, what? WHAT? So maybe Reed Royal didn't attempt the date rape, but he's 1000000% guilty of engaging in dubious consent.

"I feel like I'm taking advantage of you."

Yes, Reed, because you are! Ella is high on a date-rape cocktail, and you're like "Well, but she said she was okay with me 'helping' her, so..." This isn't even the only incident like this in the story. At one point Reed actually *propositions* her while they're out yachting, saying that she's a dirty whore but he'll take care of her sexual needs as long as she doesn't touch the rest of his family. Ella's second morning in the household, two of her new "brothers" joke about raping her. To Ella's credit, she does point out to the readers "Sexual assault isn't about getting laid. It's about power.", indicating they don't need to use sex to have power over her.

Ella's actually very good about playing it smart. It's something that made her extremely likeable as a character. (Up until sex was involved, and suddenly she can't think at all.) She knows a handsome face doesn't make someone a good person. Ella gets the difference between what her body wants and what her mind wants. She knows the value of education as a means to rise above poor circumstances. Ella Harper has lots of qualities that make her a great main character.

Remember when I said the writing was good for the first 2/3rds of the book and was not Young Adult? The last third of this book read like a smutty magazine you'd find under a mattress. Nevermind that Ella was smart and self-sufficient. Once she and Reed hook up, it's like sex-sex-sex all the time on her brain. She can barely look at Reed without wanting to get busy with him, and the book goes into GRAPHIC detail about their sexual encounters. Look, bedroom doors were invented for a reason. These are 17-year olds. I don't need to hear all the gory details of whose fingers are going where. ...I'm gonna say it again for good measure: SEVENTEEN-YEAR OLDS.

It's a shame that I power read through the first 2/3 so quickly because the story was engaging, yet it's the uglier remaining third that's leaving such an imprint on my mind. The first part of the book actually had a good premise, familiar but solid. Poor girl with nothing gets plucked from obscurity into a life of riches. I didn't even take issue with the idea that she was stripping when we first meet her, because she's doing it to survive. Can't fault someone for surviving, and she's smart about her work, putting her safety and schooling first. I actually had to pause around page 55 and split a side from laughing. "Four boys who rule the school, and their decree sets the law for how poor-girl Ella will be treated." I've seen this premise before, and lemme tell ya, I LOVE Hana Yori Dango. Downside? The boys in HYD weren't such *complete* a-holes, unlike the Royals, and they actually learned and grew from their experiences in the story. The only redeemable character in this bunch is Easton. He's the only one that makes up for his initial behavior and makes an attempt to be better with Ella. I see so many reviews for this story chittering on about how great all the boys are and I'm like "...Seriously?" Either their standards for men are terrible, or mine are too high. Maybe both? Easton was sweet, Gideon was neutral, and the other three were like "Please go to other side of your mansion house and never interact with Ella again, thank you."

There was ONE saving grace of the distasteful sexual content that I feel warrants a shout out. Mean Girl Savannah, one of Ella's arch nemeses, takes the time to warn her of her potential date rapist (albiet too cryptically for Ella to get it). "Look, I don't like you much, but I wouldn't let even my worst enemy be sucked in by him." She put aside all her issues with Ella to warn her. I 100% support girls looking out for other girls. More of this in the book and less of the boot knocking, and this might have been the story I hoped it was going to be.

I debated with myself at some length whether to round up or down for my site rating. The book was a solid 2.5 stars for me. The book had plenty of enjoyable material (round up), but it also had some really sketchy content (round down). Ultimately I had to ask myself "How much do I want other people reading this story? So I'm rounding down. I hate the idea of a young impressionable girl looking for a proper Young Adult book to find this one instead. Hell, I wouldn't even want a young boy to read this and get any ideas. I feel it's almost my responsibility to do what I can to discourage them both.

4 of 4 people found the following review helpful.
Good read but...
By Kindle Customer
There are spoilers ahead. Just warning everyone.
.
.
.
.
I thought this book was a good read. It has good character development, a fast moving plot, and definitely interesting characters. I liked the main character. She was strong, she wasn't perfect and she was insightful regarding how she could be influenced by her history. In fact, I liked that she was aware of her own trauma. The author definitely should have addressed this trauma more, however. It's traumatic for a 15 year old to be taking care of her sick, dying mother, to be working two jobs, to have a history of family violence (or attempted anyway), to have to deal with seeing the aftermath of domestic violence on your mom (before she was sick), to have her mother die, and to be an underage stripper on top of all of that? This brings me to my next question...How was CPS NOT called?? Oh and while we're at it, who in their right mind would believe that a 17 year old is the 35 years that a driver's license states? Nobody. Because even with a boatload of makeup on, you would look too young. But whatever. I can "suspend my disbelief".

I'm not a big fan of the amount of violence and sexual violence that happens in this book. And then to have our girl FALLING for that? I did like that she recognized how screwed up that was...but still! It just...sits wrong with me. But then maybe, because of her past, this is what she's looking for. I did like that this bad boy didn't do a complete turn around. That's wonderful, actually. I mean, we get to see what motivates him (the trauma of losing his own mother--a lot of dead mother's in this book now that I think about it) but he makes no apologies. He just sort of..warms up to our girl.

All in all I'd give it a 3.something. There were flaws but I believe that's the point of it all. Just didn't care for the violence, the dating violence, and the sexual violence.

4 of 4 people found the following review helpful.
OH. MY. GOSH.
By Hayley Bradshaw
WOW! I put this book on the back burner for a while because the synopsis just didn't grab my attention, but it had decent reviews so I put it on my wish list and waited. I finally purchased it and read the entire book in one day. I was sucked in! The plot is phenomenal!! It's so much more than a rags to riches story. The characters are so complex and well developed - they each have their own flavor and stand out independently. Ella is a spit fire! I loved her right away. Her devotion to her mother and to herself (getting a good education, supporting herself alone) makes her one of the most likable characters I've read in a long time. Her relationships with the Royal family seemed so real - I could believe that their relationships were based on real life, even though they're completely fictitious. THANK THE LORD that the second book is already out because I would have been stewing in my head until it's release!! Don't be put off by some of the other reviews like I was - this book is fantastic. Well edited, well thought out, believable, lovable - I'd give it ten stars if I could!

See all 724 customer reviews...

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Kamis, 08 Juli 2010

[J405.Ebook] Download PDF Los Logos 6From Gestalten

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Los Logos 6From Gestalten

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Los Logos 6From Gestalten

Gestalten's best-selling Los Logos series documents and indicates design styles and trends in contemporary logo design worldwide. The highly-anticipated latest edition, Los Logos 6, is the definitive handbook and barometer of recent work. The 400-page compendium returns to the familiar landscape format and features an unparalleled selection of cutting-edge examples from around the globe. The book provides an authoritative overview of current developments and advancements in logo design, the essential creative discipline that defines the visual identity of brands and companies as well as their philosophies. Gestalten's pioneering Los Logos was published in 2000. As its predecessors, this sixth edition honors and expands upon the work of this acclaimed series, which has often been copied but remains unrivaled. Fully indexed and intuitively structured, Los Logos 6 draws connections between the applications and the fields for which the featured logos were intended. The book not only celebrates the latest innovations in contemporary logo design, but is also a precursor to coming styles and trends.

  • Sales Rank: #1320468 in Books
  • Published on: 2012-09-25
  • Released on: 2012-09-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.39" h x 9.78" w x 7.73" l, 32300.00 pounds
  • Binding: Hardcover
  • 400 pages

From the Inside Flap
Gestalten's best-selling Los Logos series documents and indicates design styles and trends in contemporary logo design worldwide. The highly-anticipated latest edition, Los Logos 6, is the definitive handbook and barometer of recent work.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Super expensive, but highly inspirational
By JM
Super expensive, but highly inspirational. Almost all of the designs were new to me - I hadn't seen any of these in other books or in online showcases, so that was great. Overall, I'm happy with this book.

2 of 2 people found the following review helpful.
The best so far
By Gui
I own all 6 of Los Logos and this is by far the best.
1, 2 and 3 are just a collection of plain logos. Type "logos" on google images and you will probably get a better selection.
But this one, thankfully, shows something far more creative and innovative.
Recommended.

0 of 0 people found the following review helpful.
The Los Logos series continues to step it up
By Andrew
As a graphic designer, I've found the series invaluable over the years. I own the first three books, but didn't purchase the 4th or 5th, because it felt like they were starting to get a little stale around Tres Logos - still not giving much of a context for the marks, and including many, many self-promotional marks that (aside from the book) likely never saw the light of day anyway. Los Logos 6, however, seems to stick a bit more to actual identities instead of just playful studies, which is great to see. I highly recommend this book to any graphic designers that work on corporate (or not-so-corporate) identity systems.

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Kamis, 01 Juli 2010

[B596.Ebook] Fee Download In the Country of Men, by Hisham Matar

Fee Download In the Country of Men, by Hisham Matar

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In the Country of Men, by Hisham Matar

In the Country of Men, by Hisham Matar



In the Country of Men, by Hisham Matar

Fee Download In the Country of Men, by Hisham Matar

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In the Country of Men, by Hisham Matar

Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie?

Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television.

In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.

  • Published on: 2007-05-04
  • Format: Unabridged
  • Original language: English
  • Running time: 472 minutes

From Publishers Weekly
Starred Review. Shortlisted for the 2006 Man Booker Prize, Matar's debut novel tracks the effects of Libyan strongman Khadafy's 1969 September revolution on the el-Dawani family, as seen by nine-year-old Suleiman, who narrates as an adult. Living in Tripoli 10 years after the revolution with his parents and spending lazy summer days with his best friend, Kareem, Suleiman has his world turned upside down when the secret police–like Revolutionary Committee puts the family in its sights—though Suleiman does not know it, his father has spoken against the regime and is a clandestine agitator—along with families in the neighborhood. When Kareem's father is arrested as a traitor, Suleiman's own father appears to be next. The ensuing brutality resonates beyond the bloody events themselves to a brutalizing of heart and mind for all concerned. Matar renders it brilliantly, as well as zeroing in on the regime's reign of terror itself: mock trials, televised executions, neighbors informing on friends, persecution mania in those remaining. By the end, Suleiman's father must either renounce the cause or die for it, and Suleiman faces the aftermath of conflicts (including one with Kareem) that have left no one untouched. Suleiman's bewilderment speaks volumes. Matar wrests beauty from searing dread and loss. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School—This is the story of the impact of small revolutions, not on the men and women who participate in the upheavals, but on the children who barely understand the world in which they find themselves. Suleiman is a nine-year-old in Qaddafi's Libya, proud of his country and his father, and worried about his mother's "illness." He is unprepared to understand the danger his father, a believer in democracy, is in, or the role that he, just a child, must play to protect his family. What is most disturbing is that he must play the games of adults, but without knowing the rules. There is no heroism here, only fear, betrayal, and mistrust. This is a difficult book: the characters are fatally flawed, the plot revels in the gray area of a child's memories and immature perceptions, and in the end there is little redemption. The plot unfolds credibly through the boy's eyes, and it is readers who shed light on the secrets. There is no judgment, and yet there is a heavy patina of guilt in the narrative. Well written, with evocative descriptions of heat and landscape that intensify readers' experience, the story lingers long after the book is closed. Teens serious about understanding the complex nature of patriotism will find much to ponder here.—Mary Ann Harlan, Arcata High School, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Short-listed for both the 2006 Man Booker Prize for Fiction and the Guardian First Book Award, Hisham Matar's novel, widely published, raises comparisons to Khaled Hosseini's The Kite Runner (***1/2 Sept/Oct 2003). Critics agree that Matar's poetic, visual prose reflects a skill and maturity often lacking in first novels. Of the two points of view which Matar employs, the perspective of the young child narrator is effective and at times even chilling, as the baffled and terrorized Suleiman attempts to unravel the complexities of the adult world and the brutality of Libyan politics. Certainly Matar, who left Libya at age nine and whose father was also a political dissident, shares characteristics with his protagonist. The only flaw? A relatively weak conclusion.
Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Read Anatomy of a Disappearance instead by Matar
By D. Crowell
Matar is an extremely well educated thoughtful writer with profound ideas and a sense of poetry. His novels tend to be written in the POV of a young boy and he is incredibly successful in drawing the reader in to his writing. There is a sense of poetry and sensuality in his writing that one rarely finds today. Matar makes one think and re-examine how one lives in the world. His attention to detail is remarkable and his powers of observation eye-opening. This is clearly a debut novel. The young boy's actions and motivations are not believable and the storyline frustrates. Matar definely has worthwhile things to say and there are scenes in the novel that really work. Sadly, there are many that do not work. I found myself feeling perplexed by the actions and thoughts of his young boy narrator. At times the boy behaved as though he were younger, and at other times he behaved as though he were old and wise well beyond his years. There is a voice problem in the first novel that is missing in Anatomy of a Disappearance. I read Anatomy of a Disappearance first and was therefore disappointed by the uneven quality of In the Country of Men.

In "", Matar's style matured and he solves his "voice" issues, creating a believable character that we can empathize with. In Anatomy of a Disappearance, love in all its vicissitudes is explored. I read "Anatomy: in one day despite the slow opening (first 20 pages or so). More than anything, Matar's writing expresses a wonderful humanity. His accounts of what it is like to have a parent (disappear) explores the idea that absence can become more overpowering than presence. Read Matar. You won't regret it. But read Anatomy of a Disappearance instead. It is so much better in every way and definitely deserved the honor of Booker Short List that it received. It is a book that will stay with you.

1 of 1 people found the following review helpful.
An authentic description of Libyan traumata
By cwm
I moved recently to Libya and gave the book to each of my children so they can better understand the injuries that 20+ years of Qaddhafiism have inflicted on Libya and its kind inhabitants. Memories of repression, arbitrariness, betrayal and brutality still haunt the Libyans as they are struggling to rebuild a free and inclusive State and to regain respect for themselves and for their fellow citizens. The fact that the book's narrator is a young boy makes the whole story even more haunting. His innocence is increasingly perverted by the poisonous environment that surrounds him, and he is even tempted to accept the brutality and cynicism of the oppressors as a masculine role model. In this country of men, it is ironically the boy's mother - a lady crushed by the double yoke of a male society and of a repressive State apparatus - who turns out to be the "strong" character. She paves the way to a more humane future, by instilling maternal love in a world of hate, and by eventually rescuing the boy from the grips of a totalitarian system. This too - the role of women and of victims in the reconstruction of a conflict-torn society - is an important lesson for present-day Libya.

2 of 2 people found the following review helpful.
The mind of a child portrayed by a literary master
By Joel Marks
This is an excellent novel, a work of literature. It is deceptively simple in form, content, and style, the latter a requisite since it is narrated by a 9-year-old boy. The skill of the author must be consummate to have been able to convey at one and the same time an immature and bewildered childish consciousness and sufficiently detailed (not to mention eloquent) observations of what was going on around him, and inside him, for the reader to understand it all at a mature level.

Besides simply saying well done, my main reason for writing this "review" (just a comment, really) is to draw a comparison to Martha McPhee's equally wonderful debut novel, Bright Angel Time. Although about a very different "scene" (a 1970 American road trip versus 1979 Libya) and featuring an 8-year-old girl narrator who is far more "with it" than the 9-year-old boy, McPhee's book is identical in brilliantly portraying the quick shifts of feeling and attitude ("I love her." "I hate her.") that characterize a non-fully-formed personality (and, if truth be told, probably characterize most adult consciousnesses as well).

I guess I'll add one more comparison, since this is a recent discovery for me of a genre I had no particular reason to think I would dig (having chosen each of these books because of their overt theme - the road trip, Libya, and a World War II what-if -- rather than the nature of their narrator): Philip Roth's The Plot Against America. Mine is probably very much a minority report, but this is my favorite novel of Roth's by far, and again, it is the portrayal of a child's take on the world that I found particularly masterful (although the plot and episodes of the book are also amazing in their richness).

Yet another postscript: How can I have forgotten to mention Dickens' David Copperfield? -- not only another extraordinary portrayal of the consciousness of a child (and beyond) but also just possibly my favorite novel of all time.

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